Presentation board · stationery, flacon, hardware, materials
Two counter-rotating arcs meet on the vertical axis. The stroke weight is one unit; the clearspace is two. Every reproduction descends from this single geometry.
The S is never a typeset letter. It is a drawn form with an open aperture, so it survives a 4mm foil deboss on a bottle collar.
Measured from the outer arc, on all four sides. Nothing — rule, image, edge or type — enters that field.
Below 9mm the counter closes in print. At those sizes the wordmark replaces the monogram entirely.
Solid ink, solid bone, or a single foil. No gradients, no drop shadow, no rotation off the vertical axis.
Primary for print and packaging, stacked where width is scarce, monogram for seals and hardware, reversed for the night estate.
Bone and ink do ninety per cent of the work. Oxblood, olive and gold appear one at a time — never two accents in a single composition. The chips below are the physical samples: cotton stock, dyed cloth, calf leather, foil.
Display and editorial voice sit in the serif. Every functional label — sizes, batch numbers, provenance — is set in mono at 10px and 2.2px tracking.
Blind deboss on 600gsm cotton, gold foil on the letterhead, brushed brass at the collar and on the door. Nothing is printed in more than two passes.
Letterhead & envelope · gold foil monogram
50ml extrait · brushed brass collar
Swatches
Business card · 600gsm cotton · blind deboss
Shop plate · etched brass
Three permitted behaviours. Everything eases at 1.5 seconds or longer; nothing bounces, nothing loops without settling first.